Gym slammed for using picture of Nazi death camp Auschwitz to promote weight loss… but owner says it’s been great for business
A gym has come under fire for using a picture of a Nazi concentration camp - where millions of Jews were starved and gassed to death - to promote weight loss.
The Circuit Factory, in Dubai, sparked controversy by using a photograph of Auschwitz to kick-start potential new members into losing a few pounds.
It shows train tracks leading up to the death camp with the caption ‘Kiss your calories goodbye’ underneath.
Wow. Now how’s *that* for bad taste?! You can read the rest of the article by clicking on the photograph.
Musical ‘masterpiece’ captures horror of Auschwitz concentration camp
Opera based on novel by a Catholic death camp survivor and composed by a Polish Jew comes to Britain at last
An Auschwitz survivor who wrote a novel based on her experiences in the camp has told the Observer that only the opera based on her book,which is due to have its UK premiere at the English National Opera this week, can adequately capture the horror of her time there.
Zofia Posmysz, a devout Catholic, was arrested aged 18 and tortured by the Gestapo before being sent to the death camp for “three years and 21 days”, merely for being with someone carrying Polish resistance leaflets. She said only her faith gave her the courage to survive, despite suffering the “greatest extremes of degradation”.
Her semi-autobiographical novel, The Passenger, inspired the Polish-Jewish composer Mieczysław Weinberg to write the opera, which he completed in 1968. Despite being hailed by the Russian composer Dmitri Shostakovich as a “perfect masterpiece”, the opera was banned by the Soviet Union and it did not receive its world premiere until it was staged in Bregenz, Austria, last year.
I can’t say that opera has ever really appealed to me, but this sounds like it is something quite special. The Passenger opens at the Coliseum, London, on 19th Sept for eight performances - for further details see eno.org and if you are interested in reading more about Zofia Posmysz’s story, then click here.
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“The exhibition at Auschwitz no longer fulfills its role, as it used to. More or less eight to 10 million people go to such exhibitions around the world today, they cry, they ask why people didn’t react more at the time, why there were so few righteous, then they go home, see genocide on television and don’t move a finger. They don’t ask why they are not righteous themselves.
To me the whole educational system regarding the Holocaust, which really got under way during the 1990s, served its purpose in terms of supplying facts and information. But there is another level of education, a level of awareness about the meaning of those facts. It’s not enough to cry. Empathy is noble, but it’s not enough.”
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— PIOTR CYWINSKI, director of the Auschwitz-Birkenau State Museum in Poland, where officials are revising exhibitions to better educate visitors, numbers of which reached 1.3 million last year. “If we succeed we will show for the first time the whole array of human choices that people faced at Auschwitz.”
Quoted in “Auschwitz Shifts from Memorializing to Teaching,” by Michael Kimmelman in The New York Times (via tartantambourine)
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