About Me

I'm a PhD student researching the role of the archaeological dead in contemporary British society. Think of this as a scrapbook of all the interesting links, snippets of information and random bits and bobs I come across pertaining to death, dying and the dead. Enjoy?!

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‘Body Worlds: Pulse’ at Discovery Times Square
A man and woman, stripped of skin, are balanced in a balletic embrace, but their skulls and thoracic and abdominal cavities are open from behind and their spines are pulled backward, with organs and muscles attached.
A woman stands erect, also skinless, a slightly melancholy expression emerging from her facial musculature, her belly sliced vertically so we can see her liver and intestines, along with a 5-month-old fetus in her womb.
Another flayed body welcomes us into this new exhibition, “Body Worlds: Pulse” at Discovery Times Square, holding aloft, with pride, the complete coat of skin that has been removed from his body.
These are not models (or allusions to “The Silence of the Lambs”) but actual people who, since 1983, have donated their bodies for such preservation and display. More than 13,200 of the living made such promises; 1,254 of them are deceased, and some of them (with organs from other sources) appear among the 200 specimens displayed here.
You might assume that sliced and pulled-apart human cadavers, preserved in all the freshness of death by infusions of plastics and resin, no longer have the power to shock or amaze. After all, since the German anatomist Gunther von Hagens invented the process he calls plastination in 1977, then started the donation program with his Institute of Plastination, and finally began mounting specimens in “Body Worlds” exhibitions in 1995, some 36 million people have seen the shows in nearly two dozen countries in 11 different incarnations. (This one, “Pulse,” was designed for New York.) A competitor arose, Premier Exhibitions, and opened a series of successful exhibitions in the United States (including one that has been closed at the South Street Seaport since Hurricane Sandy.

(Source: The New York TImes)

    ‘Body Worlds: Pulse’ at Discovery Times Square

    A man and woman, stripped of skin, are balanced in a balletic embrace, but their skulls and thoracic and abdominal cavities are open from behind and their spines are pulled backward, with organs and muscles attached.

    A woman stands erect, also skinless, a slightly melancholy expression emerging from her facial musculature, her belly sliced vertically so we can see her liver and intestines, along with a 5-month-old fetus in her womb.

    Another flayed body welcomes us into this new exhibition, “Body Worlds: Pulse” at Discovery Times Square, holding aloft, with pride, the complete coat of skin that has been removed from his body.

    These are not models (or allusions to “The Silence of the Lambs”) but actual people who, since 1983, have donated their bodies for such preservation and display. More than 13,200 of the living made such promises; 1,254 of them are deceased, and some of them (with organs from other sources) appear among the 200 specimens displayed here.

    You might assume that sliced and pulled-apart human cadavers, preserved in all the freshness of death by infusions of plastics and resin, no longer have the power to shock or amaze. After all, since the German anatomist Gunther von Hagens invented the process he calls plastination in 1977, then started the donation program with his Institute of Plastination, and finally began mounting specimens in “Body Worlds” exhibitions in 1995, some 36 million people have seen the shows in nearly two dozen countries in 11 different incarnations. (This one, “Pulse,” was designed for New York.) A competitor arose, Premier Exhibitions, and opened a series of successful exhibitions in the United States (including one that has been closed at the South Street Seaport since Hurricane Sandy.

    (Source: The New York TImes)

    
Molly in the morgue: The eccentric memoir of the woman who worked on 8,000 autopsies alongside the legendary pathologist Keith Simpson and the hangman Albert PierrepointWorld War II saw many women pitched into tough professions, but Molly Lefebure was the only young female working in the morgues of London. Now 93 and living in a nursing home in Winchester, Hampshire, she has written a memoir recalling some of her most tantalising cases.
The young man I was supposed to be going out with that night was incredulous. Not only had I just cancelled our date but — as far as he was concerned —— I’d betrayed a morbid, unfeminine streak.
‘Why do you not prefer me to a corpse?’ he wailed. ‘There must be something wrong with you — it’s so unnatural.’
Wearily, I delivered my stock speech about how fascinating I found my work, but he wasn’t listening. Instead, like more than one of my war-time boyfriends, he nastily accused me of necrophilia.
The catalyst for all this upset was my boss, Dr Simpson, who’d telephoned just as I was doing my hair. He sounded excited: there was a very interesting shooting case at a South London mortuary, he said, and he suggested picking me up on the way. 
It was always a strict rule with me that my job came first. But, to be honest, I felt much more inclined to spend the evening in a mortuary than with a hysterical young man who was lacking in imagination.
How could I expect him to understand that corpses all had fascinating stories — of hopes unfulfilled, joys that ended in sorrow, love, sacrifice, broken hearts, stupidity, depravity and crime of every description? And my goodness, how they talked! 
Everything about them talked. The way they looked, the way they died, where they died, why they died.
They were all there on the post-mortem (p.m.) table: the tart who picked up a killer; the baby left to starve; the soldier who came home to find his wife in bed with another man and gassed himself; the sailor who came home to find his wife in bed with another man and shot her. 

(Source: The Daily Mail)

    Molly in the morgue: The eccentric memoir of the woman who worked on 8,000 autopsies alongside the legendary pathologist Keith Simpson and the hangman Albert Pierrepoint

    World War II saw many women pitched into tough professions, but Molly Lefebure was the only young female working in the morgues of London. Now 93 and living in a nursing home in Winchester, Hampshire, she has written a memoir recalling some of her most tantalising cases.

    The young man I was supposed to be going out with that night was incredulous. Not only had I just cancelled our date but — as far as he was concerned —— I’d betrayed a morbid, unfeminine streak.

    ‘Why do you not prefer me to a corpse?’ he wailed. ‘There must be something wrong with you — it’s so unnatural.’

    Wearily, I delivered my stock speech about how fascinating I found my work, but he wasn’t listening. Instead, like more than one of my war-time boyfriends, he nastily accused me of necrophilia.

    The catalyst for all this upset was my boss, Dr Simpson, who’d telephoned just as I was doing my hair. He sounded excited: there was a very interesting shooting case at a South London mortuary, he said, and he suggested picking me up on the way. 

    It was always a strict rule with me that my job came first. But, to be honest, I felt much more inclined to spend the evening in a mortuary than with a hysterical young man who was lacking in imagination.

    How could I expect him to understand that corpses all had fascinating stories — of hopes unfulfilled, joys that ended in sorrow, love, sacrifice, broken hearts, stupidity, depravity and crime of every description? And my goodness, how they talked! 

    Everything about them talked. The way they looked, the way they died, where they died, why they died.

    They were all there on the post-mortem (p.m.) table: the tart who picked up a killer; the baby left to starve; the soldier who came home to find his wife in bed with another man and gassed himself; the sailor who came home to find his wife in bed with another man and shot her. 

    (Source: The Daily Mail)

    adifferentundertaking:

    The Ecstasy of Decay no 1 was one of the first projects ever produced by the Order of the Good Death.  In January 2011 I was working on a book of ideas for artistic death when a friend of mine, the filmmaker Angeline Gragasin, suggested that she film me while at work.  From that simple idea, The Ecstasy of Decay film series was born.

    The title, Ecstasy of Decay, was actually a concept I had had lying around for several years that Angeline thought made a provocative choice of name.  The concept behind it is essentially that the human corpse is made to decay and decompose, and that self reflection on the gloriously unpredictable nature of bodily decay actually can create great joy in the living.

    See The Order of the Good Death for other projects, essays, etc.

    (via notesfromafuneraldirector)

    The theft of Charlie Chaplin's body

    In March 1978, a rather strange theft took place in the small village of Corsier, on the edge of Lake Geneva.

    Late one night thieves dug up and stole the body of Charlie Chaplin - and then demanded a million Swiss francs (approximately £1.5m in today’s money) from the Chaplin family for its safe return.

    The BBC’s Mike Lanchin hears from one of the men involved in tracking down the grave-robbers.

    You can hear more about the theft of Charlie Chaplin’s body on Witness on BBC World Service today (Tuesday) at 09:50.

    First broadcast on BBC Radio 4’s Today programme on Tuesday 12 March 2013.

    Chavez Body to Be Put on Permanent Display

    (CARACAS, Venezuela) — Vladimir Lenin, Mao Zedong, Ho Chi Minh, and now Hugo Chavez. The late leader’s supporters have put him on a pedestal long provided for the world’s great leftist revolutionaries by saying they will embalm his body for perpetual display.

    Vice President Nicolas Maduro, Venezuela’s acting head of state, said Thursday that Chavez’s body would be forever displayed inside a glass tomb at a military museum not far from the presidential palace from which the socialist firebrand ruled for 14 years.

    “We have decided to prepare the body of our ‘Comandante President,’ to embalm it so that it remains open for all time for the people. Just like Ho Chi Minh. Just like Lenin. Just like Mao Zedong,” Maduro said.

    Other socialist or communist leaders given similar treatments after dying are Russian dictator Josef Stalin, though his body was later removed, and North Korea’s father-and-son leaders Kim Il Sung and Kim Jong Il. But it was the famous display of Soviet founder Lenin in Moscow’s Red Square in 1924 that inspired the custom among leftist leaders.

    Maduro said Chavez’s body would be held in a “crystal urn” at the Museum of the Revolution, a stone’s throw from Miraflores presidential palace, but that first the body would lie in state for “at least” seven days at the museum.

    The announcement followed two emotional days following the leaders’ death in which Chavez’s supporters compared him to Jesus Christ, and accused his national and international critics of subversion.

    But not everyone shared in the adoration of Chavez in death.

    Read more here

    
Top Ten Afterlife Journeys of Notable People
Why Beethoven, Galileo, Napoleon and others never truly rested in peace
For more than 500 years, the whereabouts of King Richard III of England, who was killed in the one of the last battles of the War of the Roses, were unknown. A skeleton was dug up in a parking lot in Leicester late last year, and last month, archeologists confirmed the centuries-old corpse belonged to the king. Death wasn’t the end for Richard, as experts study his remains and historians argue where they should finally be put to rest. 
It wasn’t over for these historical figures either, as told in great detail by Bess Lovejoy in “Rest in Pieces: The Curious Fates of Famous Corpses,” out March 12. These men’s unfortunate corpses were hacked, stolen, transported across oceans and even stuffed into a trunk and used as a chair.

Read more here!

    Top Ten Afterlife Journeys of Notable People

    Why Beethoven, Galileo, Napoleon and others never truly rested in peace

    For more than 500 years, the whereabouts of King Richard III of England, who was killed in the one of the last battles of the War of the Roses, were unknown. A skeleton was dug up in a parking lot in Leicester late last year, and last month, archeologists confirmed the centuries-old corpse belonged to the king. Death wasn’t the end for Richard, as experts study his remains and historians argue where they should finally be put to rest. 

    It wasn’t over for these historical figures either, as told in great detail by Bess Lovejoy in “Rest in Pieces: The Curious Fates of Famous Corpses,” out March 12. These men’s unfortunate corpses were hacked, stolen, transported across oceans and even stuffed into a trunk and used as a chair.

    Read more here!

    
‘Bodies Revealed’ revealed
Blockbuster exhibit sets attendance records for Da Vinci while raising ethical questions about origins of humans on display.
Cheryl Stevenson leaned in close, eyes straining to get a better look at the preserved human cadaver before her. The man’s skin had been peeled off, exposing his underlying muscles, tendons and bones, and his body was posed in a sprinter’s crouch, testes dangling below his hips.
“Oh my goodness,” the Nanticoke resident said, reacting to the Bodies Revealed exhibit that has shattered admissions records at the Da Vinci Science Center in Allentown. “For people to donate their bodies,” she continued. “I just can’t think of the words.”
Donated — that’s what the Da Vinci center maintains and the exhibit vendor assures, producing affidavits as evidence.
“Our suppliers have confirmed to us that all of the bodies and organ specimens … came from individuals who chose to donate their bodies to medical science for the purpose of study and education,” Da Vinci states on its website.
And yet, whether the Chinese men whose bodies are on display at Da Vinci ever imagined, let alone authorized such a spectacle is unclear. Neither Da Vinci nor the exhibit vendor, Atlanta-basedPremier Exhibitions Inc., was able to provide The Morning Call with conclusive documentation of consent. The company’s medical expert and lawyer said they have never seen a consent form and have relied on the word of Chinese and Taiwanese partners who are but middlemen in a global body supply chain.
The words “donate,” “donated” or “donation” do not appear in the annual report of Premier, a public company whose shares trade on the NASDAQ stock exchange. Rather, the report – referring to Premier’s multiple Bodies exhibits worldwide and not specifically to the one at the Da Vinci center – says, “Most of the bodies were unclaimed at death, and were ultimately delivered to medical schools for education and research.”
Premier’s critics include medical professionals and experts onChina who cite the country’s notorious human rights record. Their questions have trailed the Bodies exhibits for a decade:
Why are most of the bodies of Chinese men? Were these people Chinese prisoners? Were they executed?

Read more here…

    ‘Bodies Revealed’ revealed

    Blockbuster exhibit sets attendance records for Da Vinci while raising ethical questions about origins of humans on display.

    Cheryl Stevenson leaned in close, eyes straining to get a better look at the preserved human cadaver before her. The man’s skin had been peeled off, exposing his underlying muscles, tendons and bones, and his body was posed in a sprinter’s crouch, testes dangling below his hips.

    “Oh my goodness,” the Nanticoke resident said, reacting to the Bodies Revealed exhibit that has shattered admissions records at the Da Vinci Science Center in Allentown. “For people to donate their bodies,” she continued. “I just can’t think of the words.”

    Donated — that’s what the Da Vinci center maintains and the exhibit vendor assures, producing affidavits as evidence.

    “Our suppliers have confirmed to us that all of the bodies and organ specimens … came from individuals who chose to donate their bodies to medical science for the purpose of study and education,” Da Vinci states on its website.

    And yet, whether the Chinese men whose bodies are on display at Da Vinci ever imagined, let alone authorized such a spectacle is unclear. Neither Da Vinci nor the exhibit vendor, Atlanta-basedPremier Exhibitions Inc., was able to provide The Morning Call with conclusive documentation of consent. The company’s medical expert and lawyer said they have never seen a consent form and have relied on the word of Chinese and Taiwanese partners who are but middlemen in a global body supply chain.

    The words “donate,” “donated” or “donation” do not appear in the annual report of Premier, a public company whose shares trade on the NASDAQ stock exchange. Rather, the report – referring to Premier’s multiple Bodies exhibits worldwide and not specifically to the one at the Da Vinci center – says, “Most of the bodies were unclaimed at death, and were ultimately delivered to medical schools for education and research.”

    Premier’s critics include medical professionals and experts onChina who cite the country’s notorious human rights record. Their questions have trailed the Bodies exhibits for a decade:

    Why are most of the bodies of Chinese men? Were these people Chinese prisoners? Were they executed?

    Read more here

    
Inside the ‘body farm’ where corpses are left outside to decompose for forensic researchers to study
At first glance, it appears to be some kind of serial killer’s preferred dumping ground.
But corpses left strewn across isolated woodland in the hills of Tennessee have been put there on purpose to help forensics experts better understand decomposition.
Nicknamed the ‘body farm’, the research laboratory in Knoxville provides a unique opportunity for CSI teams to replicate murder scenes in the most realistic setting possible.

Read more here!

    Inside the ‘body farm’ where corpses are left outside to decompose for forensic researchers to study

    At first glance, it appears to be some kind of serial killer’s preferred dumping ground.

    But corpses left strewn across isolated woodland in the hills of Tennessee have been put there on purpose to help forensics experts better understand decomposition.

    Nicknamed the ‘body farm’, the research laboratory in Knoxville provides a unique opportunity for CSI teams to replicate murder scenes in the most realistic setting possible.

    Read more here!

    
NEW STUDY INVESTIGATES FATE OF THE CRIMINAL CORPSE
A NEW MAJOR RESEARCH PROGRAMME BRINGING UNIVERSITY OF LEICESTER ACADEMICS IN THE SCHOOL OF ARCHAEOLOGY AND ANCIENT HISTORY, AND THE SCHOOL OF HISTORICAL STUDIES TOGETHER WITH EXPERTISE FROM THE UNIVERSITY OF HERTFORDSHIRE, WILL EXAMINE THE FATE OF THE CORPSES OF EXECUTED CRIMINALS.
Between 1752 and 1832 the bodies of executed murderers were legally denied burial in consecrated ground. Instead they were donated for anatomical dissection or ‘hung in chains’ (displayed in a gibbet). This new research programme brings together scholars from archaeology, medical and criminal history, folklore, literature and philosophy to explore the ways that the dead body of the criminal could still be powerful.
The 5-year project, supported by the Wellcome Trust with a grant for nearly a million pounds, uses the criminal corpse as a focal point from which the team can spin out to explore the many ways that human bodies were understood in the period between the seventeenth and the nineteenth centuries, and how attitudes that took shape at that time continue to affect our ambivalent feelings about how the dead should be treated.

This sounds fab! You can read more about the project here!

    NEW STUDY INVESTIGATES FATE OF THE CRIMINAL CORPSE

    A NEW MAJOR RESEARCH PROGRAMME BRINGING UNIVERSITY OF LEICESTER ACADEMICS IN THE SCHOOL OF ARCHAEOLOGY AND ANCIENT HISTORY, AND THE SCHOOL OF HISTORICAL STUDIES TOGETHER WITH EXPERTISE FROM THE UNIVERSITY OF HERTFORDSHIRE, WILL EXAMINE THE FATE OF THE CORPSES OF EXECUTED CRIMINALS.

    Between 1752 and 1832 the bodies of executed murderers were legally denied burial in consecrated ground. Instead they were donated for anatomical dissection or ‘hung in chains’ (displayed in a gibbet). This new research programme brings together scholars from archaeology, medical and criminal history, folklore, literature and philosophy to explore the ways that the dead body of the criminal could still be powerful.

    The 5-year project, supported by the Wellcome Trust with a grant for nearly a million pounds, uses the criminal corpse as a focal point from which the team can spin out to explore the many ways that human bodies were understood in the period between the seventeenth and the nineteenth centuries, and how attitudes that took shape at that time continue to affect our ambivalent feelings about how the dead should be treated.

    This sounds fab! You can read more about the project here!

    GRIEVE FOR THE SOUL – NOT FOR THE BODY

    I MUST fully accept that many will profoundly disagree with me on this but I have never understood why so many have an obsession with the exact location of a body after death.

    We have all just witnessed the death of Winnie Johnson whose entire life for 47 years was absorbed with the grief she experienced because she could not exactly place (and retrieve) the remains of her murdered son Keith Bennett.

    That simple obsession destroyed her life.

    We know that as far back as the Ancient Egyptians people went to incredible lengths to preserve the dead by embalming but they really believed the actual body would rise again for the journey to another world. We don’t do that any more, do we?

    Other peoples have embalmed bodies in lead coffins to prevent decomposition and failed. And then only the high and the mighty.

    But grief is for the living, the dead cannot grieve for themselves and grief is an emotion, not a physical object.
    Full piece here.

    • Posted 8 months ago
    • September 15th, 2012

    0 Likes & Reblogs

    Dead Bachelors in Remote China Still Find Wives

    theossuary:

    2006 article from the New York Times. Fascinating.

    To ensure a son’s contentment in the afterlife, some grieving parents will search for a dead woman to be his bride and, once a corpse is obtained, bury the pair together as a married couple. […]

    Villagers and Mr. Yang, the funeral director, said a family searching for a female corpse typically must pay more than 10,000 yuan, or about $1,200, almost four years of income for an average farmer. Families of the bride regard the money as the dowry they would have received had death not intervened.

    Like many good things, via Order of the Good Death.

    Vultures skeletonise corpse for the sake of forensics

    oldowan:

    Ever entertained the idea of leaving your body to science? Even if you have, you can scarcely have considered the strange fate of one donated corpse that has just been revealed in the journal Forensic Science International: a donor’s body was left in a Texan wilderness so that vultures could scavenge and “skeletonise” it - and distribute the remains far and wide.

      

    This wasn’t for some horror movie - even though the process was captured on video. The aim was to discover how long it takes vultures to discover a body, how long it takes to reduce a body to bones - and how far the creatures are likely to distribute the parts they don’t eat.

    (Source: theolduvaigorge)